| Night of January 16th | |
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First hardback edition of book (1968) |
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| Written by | Ayn Rand |
| Characters | Karen Andre Mr. Stevens Mr. Flint |
| Date premiered | September 16, 1935 |
| Place premiered | Ambassador Theatre |
| Original language | English |
| Genre | Courtroom drama |
| Setting | A courtroom in New York City |
| IBDB profile | |
Night of January 16th is a play written by Ayn Rand, inspired by the death of the "Match King", Ivar Kreuger. First produced under a different name in 1934, it takes place entirely in a court room and is centered on a murder trial. It was a hit of the 1935-36 Broadway season. The play deals with issues of a man's ability to regard oneself as important and exist in a society where moral decay is ever prevalent. It also deals with issues of love, loyalty and betrayal.
One particularly interesting feature of the play is that members of the audience are picked to take on the role of jury members each night. Depending on whether the "Jury" finds the defendant of the case, as in the play, "guilty" or "not guilty" - the play would have different endings. Another unique feature of the play is that it does not state what the true events were on the night of January 16th, forcing the actors performing the show to decide how much of their character's testimony is actually true. Since several witnesses contradict each other, it is almost certain that some of them are lying.
Contents |
Bjorn Faulkner has swindled millions of dollars from investors, by investing cash he did not have in order to control the gold trade. In the wake of a crash, he is facing bankruptcy despite the injection of money by Mr. John Graham Whitfield, a prominent banker whose daughter, Nancy Lee, married Faulkner shortly after the loan.
On the night of January 16th, Karen Andre and Bjorn are in the penthouse at the top of the Faulkner Building in New York when Faulkner falls to his death. The purpose of the play is to decide if it may have been a suicide - or murder.
Karen Andre is placed on trial on charges of having murdered Faulkner. She is being prosecuted by Mr. Flint and defended by Mr. Stevens.
Within the three acts of the play, the two lawyers call upon a number of witnesses, including doctors, security of the Faulkner building, private investigators, the coroner, and a notorious gangster, where each of their testimony build to contradictory stories.
Rand wrote the play in 1933 under the title Penthouse Legend. Her agent submitted it to several theatrical producers in New York, but it was repeatedly rejected. She finally accepted an offer from E.E. Clive to produce the play at the Hollywood Playhouse in Los Angeles. It opened in October 1934 under the title Woman on Trial. Rand later described the production as "badly handicapped by lack of funds" and "competent, but somewhat unexciting." However, it was modestly successful and got some positive reviews.[1]
At the end of the run in Los Angeles, Al Woods offered to produce the play on Broadway, provided that he could make changes to it. One of the changes was to the title, which became Night of January 16th. Rand disliked this title, but when the play became a success she decided the name was too famous to change again. Rand also disliked a number of other changes that Woods made, including adding a new character and altering dialog. They clashed repeatedly over the changes. After some initial delays as Woods arranged financing, the play opened on Broadway in September 1935 and ran for six months. Woods then launched productions of the play in other cities, including Chicago, Los Angeles, and London.[2]
The element of selecting a jury from the audience created concerns among many of the producers that had considered the play and even for the director that Woods had hired. They thought it would destroy the theatrical illusion and feared that audience members might refuse to participate. After the play became successful, it was famous for its use of a jury drawn from the audience and this criticism dissipated. Nonetheless the play's original run received some negative reviews, and Rand considered even the positive reviews to be embarrassing because of the changes made by Woods.[3]
The play was first published for use by amateur theater organizations in 1936, using a version edited by Nathaniel Edward Reeid,[4] which included changes so it would be "cleaned up" (as Rand later described it) to eliminate elements such as swearing and smoking. Rand disowned this version due to the changes.[5] She also disowned a 1941 movie version produced by Paramount Pictures. She did not participate in the production. Three other writers were brought in to write the screenplay, which Rand claimed had only a single line from her original dialog. The film received little attention when it was released, and most of the reviews were negative.[6]
In the 1960s, Rand revised the text to eliminate most of the changes and had the "final, definitive version" published in 1968 with an introduction discussing the play's history.[7] She made several dozen further small changes in language for a production of the play in 1973.[8]
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